by Elva Cobb Martin
In Part 2 we talked about "Premise" and how it will actually help you write your pitch. Never mind pulling your hair out. You can access Parts 1-2 in my archives.
So what is a pitch (or log line) and how does it differ from a book tag?
A pitch is a one or two sentence nutshell that explains what your book is about.
Imagine
someone asking you, "What is your book about?" (Some one like an editor
or agent that you may run into at a conference and you only have a few
moments to tell them about your book).
Here are some examples of pitches:
1) Jacob
Marshall must avenge his father's honor by implicating Serena Jones'
father, only to realize revenge often hurts the innocent.
2) Rachel
York determines to unearth the truth about her brother's reported death
by taking a position at an historic tea plantation, only to realize the
truth may destroy her new found love and could even cost her life.
(This was my pitch for Summer of Deception which helped snag a contract and can be found at https://www.amazon.com/dp/B071L28PHH )
Want to try your hand at a pitch? Here's a simple template that has helped me:
(Your protagonist) _________MUST __________(critical plot goal) BY ______________(action or conflict)
ONLY TO REALIZE __________________(what the character learns about life that helps him change his goal during journey of book
Tags are a briefer hook, like back cover copy first line or byline in a movie. You'll need this for your book cover and tweets.
To boldly go where no man has gone. (Star Wars)
Don't go in the water (Jaws)
Collide with destiny (Titanic)
Power comes with a price (The List by Robert Whitlow)
Can love survive a summer of deception? (for my novel Summer of Deception)
Falling in love with a pirate was never part of her plan. (for my novel, In a Pirate's Debt).
My Premise for my current wip helped me write my Pitch. Of course, it's an inspirational romance.
To recap, my tweaked premise for my wip is: Love,
forgiveness, and determination can overcome the most horrifying
experiences and poor choices when God is invited into the equation.
Here's a rough draft of my pitch:
"Marisol
Valentine flees after murdering the Spanish nobleman who sexually
assaulted her only to find herself caught in a net of kidnappers for the
King's colonization of the New World which threatens to derail her
forever from love, security and decency until she discovers a God who
can work good even from evil."
How's that for a long sentence? But it gets the job done--for now. ( :
Thanks for
stopping by. Please do leave a comment and a sample pitch, if you have
one. And share this blog if it has been helpful.
Blessings,
Elva Cobb Martin
by Elva Cobb Martin
Planning
your novel can get that dream you have (like an illusive bubble in your
head and heart), down on plain white paper or on your computer screen.
In Part 1 of planning a novel, we talked about:
a) Reading/immersing yourself in your genre and time period
b) Jotting down your initial storyline
c) Researching and more researching
You can find Part 1 in my archives.
Today, I want to talk about the first of three important "p's" in planning your novel: Premise, Pitch, and Pictures.
Stavros Halvatzis has several good blogs about Premise that helped me. Click http://stavroshalvatzis.com/story-design/how-to-create-a-strong-dramatic-Premise
To recap, he says:
The story or moral premise is
a short description of the entire story in its essential form. It's the
essential core or meaning of the story and the chief theme of your
story.
A unique premise contains a strong set-up and pay-off, it generates dramatic questions, and gives the writer a blueprint for writing a successful story.
It can be
thought of as the two-part genetic code of a story: one part identifies
the virtue which leads to victory, while the other identifies the
opposite, which leads to defeat.
Here are some movie examples he sites:
1) The Ten Commandments, Braveheart, The Firm, Gladiator
"The
hero must do the right thing to eventually achieve the goal (carry the
day, save the world), even if it sometimes means he has to sacrifice
himself."
2) In There Will be Blood
"The pursuit of wealth and power, at the expense of love and family, leads to loneliness and defeat."
After studying premise this is what I came up with for my work-in-progress, an inspirational historical romance.
"Love, forgiveness and determination can overcome the most horrifying experiences and poor choices."
Can you see
the two main parts of my story? (Terrible experience & Happy
Resolution) Can you see that it will be an encouraging story for those
who have suffered from bad experiences or poor choices? Does it bring to
mind dramatic questions like: What horrible experience did the heroine
endure? How will she find love and forgiveness to overcome the effects?
Does she have enough determination to move forward to a HEA? My heroine,
Marisol Valentin, will find what she needs to overcome! She will
illustrate my idea of a strong, determined woman who will not let
circumstances destroy her or keep her down. And, of course, she will
have to discover the great power of Christian faith to do this.
Do you see that from my premise, I actually have my beginning, middle and end of my story?
The Horrifying Experience (and all it entailed)
Working to Overcome (risk, hindrances, conflict, people)
Accessing love, forgiveness and determination to a HEA
Sound like the 3 acts? Maybe so.
Can you come up with a premise for your novel? It will help you write your story, and keep you on track to your planned ending.
Please share it in the comments. I'd love to read it.
Premise is different from the Pitch which I will discuss in my next blog. Premise will help you write your pitch!
Thanks for stopping by. Please leave a comment and share this blog on your social media if it was helpful.
Blessings,
Elva Cobb Martin
