Showing posts with label Pitch Your Manuscript. Show all posts
Showing posts with label Pitch Your Manuscript. Show all posts

Thursday, April 12, 2018

Honing Your Conference Pitch

Attending a writers conference can be a stressful undertaking—even for a seasoned writer. A lot of writers have gravitated toward our profession because we’re not comfortable with crowds, especially crowds of strangers.
That’s why I’m posting this series on writing conferences. It’s not to add to your stress—but to alleviate it. For me, when I know what to expect and am prepared, I’m less anxious. No one likes to feel like they're under the gun. I assume I’m not alone in this feeling.
So the first subject we’re going to tackle is the one that makes most writer’s stress levels spike off scale—pitching.
Over the years I’ve had people tell me they’re not worried about pitching—they’re just going to learn. Nice thought, but not based in reality. I hate to break it to you, but if you’re standing in line or sitting beside someone and they ask you what you’re writing, if you answer them, you’ve just delivered a pitch. I could post pages of stories from writers who wished they’d been prepared for this unassuming little scenario.
The idea behind a pitch is to get the person you’re talking with to ask for more.
Simple concept, harder to execute. So here are some of the do’s and don’ts of pitching.
Do
  • Set up an intriguing scenario.
  • Introduce your main character.
  • Give a hint about their situation and goal.
  • Tie in the disaster or obstacle to that goal.

Don’t
  • Go over 2 sentences—try to keep it to one sentence.
  • Answer all the questions the listener might have.
  • Substitute cleverness for specifics.
  • Give away the ending.

Now, here are some real life hooks or tag lines from popular movies. I’d love to read some of your favorites as well. 
  • "She brought a small town to its feet and a huge corporation to its knees." —Erin Brokovich
  • "To enter the mind of a killer she must challenge the mind of a madman." —Silence of the Lambs
  • "What if someone you never met, someone you never saw, someone you never knew was the only someone for you?" —Sleepless in Seattle 1993
  • “A businessman falls in love with a hooker he hires to be his date for the weekend” —Pretty Woman
  •  “When you can live forever, what do you live for?” —Twilight
  •  “Just when you thought it was safe to go back in the water.” —Jaws 2
  •  “In space, no one can hear you scream.” —Alien 


Now it's your turn to chime in. Do you have any questions or is anyone brave enough to try their pitch out here?

And . . . Don't forget to join the conversation!
Blessings,
Edie

Edie Melson is the author of numerous books, as well as a freelance writer and editor. Her blog, The Write Conversation, reaches thousands each month. She’s the co-director of the Blue Ridge Mountains ChristianWriters Conference and the Social Media Mentor at My Book Therapy. She’s also the Military Family Blogger at Guideposts. Com, Social Media Director for SouthernWriters Magazine and the Senior Editor for NovelRocket.com. Connect with her on Twitter and Facebook. Don't miss her new book from Worthy Inspired, WHILE MY SOLDIER SERVES.

Thursday, July 10, 2014

So What is a ONE SHEET Anyway?


By Edie Melson
For those of you getting ready for a big writers conference, you may have heard about the need for a One Sheet. This tool is also known as a Pitch Sheet. It's a one page presentation of the project you're pitching to an editor or agent. Today I'll be explaining how to put one together.

Click here to see an example of my cozy mystery, DEAD RINGER one sheet. This sheet led to multiple requests for proposal and full manuscripts. To answer your question, no, it's not been published. I sent it out too soon and killed my chances -- but that's fodder for a future post!

There are three basic components of a one sheet -- the project blurb, specifics about the project and the author's bio -- including a picture and contact info. We'll take each component individually and explain what's included. 


An Image to Illustrate Your Concept

A lot of one sheets include an image to set the mood. This isn't a requirement, but we're seeing it more and more. You can buy an image, upload one of your own, or use one that's copyright free.


The Project Blurb

For this section, think back cover copy. This is NOT the place for a full synopsis. You want this section to read like the blurb on the back cover of a book. You should give more information than just a hook. Make sure you include enough for the editor or agent to get a good sense of the story. 

 

 


Project Specifics

This is where you give some of the details and they're slightly different for fiction and non-fiction. 

Fiction
Genre -- like Romance or Suspense.
Manuscript Length -- this doesn't have to be an exact word count, just an approximation.
Target Audience -- every book should be written with an audience in mind. I know, we all think our book will appeal to a wide range of readers -- and that may be true. But this tells the potential editor or agent how to market the book. It will help sell a publishing house on your manuscript by defining the reader you're writing for. 
*There isn't a section here for completion date because it's understood that a manuscript must be complete before it's submitted. It's okay to pitch an uncompleted manuscript with a one sheet, but it's rare for anyone to look at it as a submission until it's complete. 

Non-Fiction
Projected Completion Date -- the reason you don't have a non-fiction manuscript completed is because publishers like to have a say in the overall concept.
Manuscript Length -- since it's not completed, this is just an estimate.
Target Audience -- just like in fiction, you need to focus in on who specifically you're targeting with this manuscript.
Similar Titles, also known as Comparables -- you don't have to include this, but it's nice if you have room.

Author Info

This is where you need to include a recent picture, personal bio, contact information and social media information. 
Picture -- this should be a professional headshot. That doesn't mean it has to be stuffy, but it needs to be of professional caliber.
Bio -- keep this short and relevant. The person reviewing your one sheet is going to want to know your experience. That includes writing experience and experience with your subject matter. In other words, why are you the person to write this book?
Contact Info -- You need to include your email address, phone number, and website URL. This is no need to include your physical address. It just takes up valuable real estate without adding anything.

All of these individual components will give you an effective one sheet. Be sure to post any questions or comments you have. 

Edie Melson is the author of numerous books, as well as a freelance writer and editor. Her blog, The Write Conversation, reaches thousands each month. She's the co-director of the Blue Ridge Mountains Christian Writers Conference and the social media mentor at My Book Therapy. She's also the military family blogger at Guideposts.com, social media director for Southern Writers Magazine and the senior editor for NovelRocket.com. Connect with her on Twitter and Facebook